Thursday, March 08, 2012

Writing Bridges

Click on image to see more of the show
Sculpture & Object at Sanderson Gallery had a wonderful opening on Tuesday.  It's a gorgeous, coherent exhibition across a really diverse range of three dimensional art in many media. Ceramics, textiles, metal, paper and other materials all shared a sense of the makers touch and care in more-often-than-not quirky (and even humorous) pieces.

This is the second of five exhibitions I'm in over the next four months (the list is in the right column of the blog), the consequence of writing many proposals over the past six months.  I worked out the statistics this morning: I'm preparing and sending out an average of 1.6 proposals/applications/entries/submissions a month, with about a 50% success rate so far.

Momentum is building as I get more practised and confident at this side of the art business. The first proposal of this blitz took about a year of anguished procrastination, several weeks of drafting, interminable hours of assembling all the attachments and a firm push from a supportive friend.  The one I sent yesterday took me a few days of thinking, writing and sketching followed by an hour or so to put everything together.  It helps that my CV is up to date, the 'recent work' photos are assembled and suitably sized and my statements are honed.

I'm learning so much from this process as I cycle through it month after month.  I've noticed that my successful proposals are for situations which are a very good fit to the work I am doing right now.  So far most of the unsuccessfuls involved some stretching and bending for me or my work to meet the criteria.  I'm ambivalent enough about those to shrug off rejection with hardly a twinge of disappointment and a genuine interest in learning how to improve my chances as I pursue more passionately-desired goals in the future.

Each application involves reaching towards a situation which I aspire to and so I've started thinking of my proposals as bridges, my preparations as bridge building. The wider the gap between where I am now and the situation I'm applying for, the more carefully I need to build a sturdy, well-designed and sound structure to carry me towards my destination.


On Wairere Falls Track



3 comments:

Joan said...

Meliors, your wonderful art goes from strength to strength.. all power to you! The Earth needs your art so badly. May the message get through!

Carol said...

Meliors, I finally wrote a new blog post and have linked to your blog and web site. I know what you say in this post will be of interest to my readers, so the timing is good. I just wish I could be in NZ to see these exhibitions.

Tim Jones said...

As an outsider to the art scene, that strike rate of close to 50% sounds very good to me - has it improved as you have got more experienced in making the applications?